September 7 to December 12, 2021
This refusal to reveal everything may sound at first like a refusal to commit, but it is this very refusal to commit that actually gives each of these works their power and renders them Queer. There is an intentional refusal to limit what they are and therefore to limit what they can become.
Laing moves easily between media, made easier by their greater interest in the concept than the object, or perhaps in the tension and friction between the two. There are often holes in Laing’s work. Literal holes, waiting to be filled; holes recently mended or embellished and existing only to act as a pass through; holes as exit or entry to another side or another idea. Laing’s work creates and holds space for other ways of thinking and other ways of being, even those of the viewer. Their works are connected to community-building and people-focused projects, different but linked in their exploration of spaces and the questioning of who and what gets to hold value within them. There is a conscious interrogation of intent behind all Laing produces and an intentional examination of both wanting to be seen and holding onto the power that comes from being invisible and/or not answering every question.
—Greg Manuel